I am a composer, sound designer, and technologist whose work explores the convergence of timbre, instrument design, and embodied musical interaction. My practice is grounded in the belief that composition extends beyond notes on a page, emerging through systems, tools, and the physical relationship between performer and sound.

My work spans media scoring, sound design, and research-driven composition, with a focus on hybrid instrumentation and custom digital systems. I design instruments and workflows that treat timbre as a primary compositional parameter, enabling a single creator to function as an ensemble through layered, adaptive, and gesture-informed sound structures. My projects frequently merge acoustic sources, synthesis, and interactive control to support expressive, technology-forward composition.

Holding a Bachelor’s degree in Music Performance and a Master’s degree in Sound Design, my background combines formal musical training with extensive hands-on experience across production, scoring, and system development. This interdisciplinary foundation shapes a compositional voice that bridges traditional musicianship with contemporary music technology.

I am currently a doctoral applicant in music technology and related interdisciplinary fields, with research interests centered on embodied composition, hybrid instrument design, and performer-driven digital interaction. My long-term goal is to develop compositional frameworks and tools that bridge academic research and creative practice, advancing how composers design, perform, and interact with sound through technology.